Movement of the People Collective
Over the past three years dancer/choreographers Shireen Dickson, Carlye Eckert and Jamila Holman have joined with choreographer/director DJ McDonald and Executive Director Greg Miller to present guerilla dancers and ensembles as part of the annual Dance Parade and DanceFest, the world’s largest single-day public dance event, in community centers, public parks and schools across the metro area, and in outdoor performances in collaboration with the Lincoln Square BID. The Collective’s deeper roots lie in Dancing Through the Light, which McDonald and Miller created, alongside co-producer Steven Estroff. It featured 7 different NYC based ensembles reflecting dance from 3 continents, the sub-continent and Hawai’i at numerous sites across Green-Wood Cemetery in Brrooklyn. This year the Collective emerges onto a platform within DanceFest, on stages and sites, by first presenting 3 distinct ensembles from Native American to Contemporary as the nucleus of a professional outgrowth. The aim will be to take its work further into the streets, plazas, piers, sites, neighborhoods, communities, minds and hearts of NYC.
We aim to take over the city. Not all of it, and not all at once; just to bring the artists we work with and among above the threshold of the sensible allowing them to be recognized and validated along with the largely Native American and immigrant communities from which they spring. Working together with communities we engage in resonant sites across the city, we bring a healing hand and heart to sites of historic conflict, trauma and struggle honoring past present and future as we bring dancing to the streets, parks, plazas, piers and sites of NYC.
ARTISTS OF THE COLLECTIVE:

Shireen Dickson
A professional dancer trained in Horton, Dunham classical modern and fusion styles as exemplified in 2018’s Kara Walker reVERSE-gesture-reVIEW with Thomas F. DeFrantz and SLIPPAGE (video), Shireen has worked in dance and dance education for 17 years. Her art/research focuses on African-American vernacular styles including Tap, Swing, Improvisation, Hip Hop and Traditional Jazz. She is also knowledgeable in international folk styles – Irish Step, Bhangra, Polynesian and Caribbean dance.
Shireen serves as Artistic Director/Performer with The Okra Dance Company offering performances and residencies to schools, libraries and community centers, primarily in urban and under-served communities, in schools, after-school programs and on the college/professional level. Previously she worked as Education Director with the STREB Lab for Action Mechanics, as Choreographic Assistant to Dianne McIntyre, as Young Adolescent Program Coordinator at the East Harlem Tutoring Program, as a Teaching Artist with the Jazz Drama Program at the Louis Armstrong Middle School and as Arts Educator at Vanguard High School,
Dickson produced both the Parade and DanceFest in 2009 and 2010 and then created Dance Parade’s Community Engagement Program, now overseen by Carlye Eckert before joining the Collective. She iis a graduate of Goucher College, Maryland.
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Carlye Eckert
Carlye works as a choreographer, performer, teacher, and in arts programming in New York. She is a graduate of the Juilliard School (Bachelor of Fine Arts Degree, 2009).
As a performer, Eckert has worked and collaborated with Tino Sehgal, Jonah Bokaer, Jack Ferver, Luke Murphy Dance, Yara Travieso, Lucie Baker, Esme Boyce Dance, The Equus Projects, and appeared as a guest dance artist with Aszure Barton & Artists and Keigwin+Company. She. is a member of the Brian Brooks Moving Company and is currently working with Boris Charmatz/Musee de la Danse.
Her choreographic work has been presented in Portland, Oregon at A-WOL and the West Linn Theater; in NYCi at Judson Church, Center for Performance Research, Triskelion, CAVE, CUNY, Dance New Amsterdam, West End Theater, Dixon Place, Location One, DUMBO Dance Festival, Green Space, The Peter Jay Sharp Theater at Lincoln Center, and The Juilliard School.
Ms. Eckert’s work focuses on activating experiences of community and environment, whether through choreography, dance education, or arts programming. In April 2011, she co-established the performance series, STUFFED: Dinner and Dance at Judson Church, a community program which presents dance artists and feeds hungry audiences on a quarterly basis. Carlye teaches dance at Rutgers University in New Jersey.
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Jamila Holman
In 2005, Jamila began dancing at Madison Square Garden for the New York Knicks and was chosen to perform in shows in China, with John Legend and Paul McCartney. Currently, Jamila tours arenas nationwide as a choreographer and back-up dancer with R&B star Lisa Lisa of Lisa Lisa and the Cult Jam. Her dance career in NYC began in 2003 with renowned Jazz choreographer Frank Hatchett and soon after was featured in his “VOP” instructional jazz dance DVD as well as assisting Hatchett in numerous dance conventions.
Growing up in Springfield, MA, Holman began her training under Hatchett’s principal dancer Kim Norrington and was promoted by choreographers at the Broadway Dance Center and Hunter College. Her training varies in styles from ballet, to jazz, tap, hip-hop and African. As a teacher she has assisted the late Hatchett at conventions such as The Dance Teachers Summit, NADAA, with the New York Knicks Cheering for Children Organization and at New York City’s most popular gyms such as Crunch and David Barton.
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DJ McDonald
DJ has been immersed in dance, theater, film/video, music and visual arts, as well as management, production, curation, development, marketing/PR, touring, education and community engaged art activities for more than two decades. Initially this came about in support of his own professional contemporary dance and theater company, and later as co-producer of a professional cabaret and dinner theater, NYC’s annual Dance Parade and Festival, and as Industry Spotlight Coordinator for Asian American Film Lab. Dancing Through The Light: Greenwood Cemetery Celebrates Life, Death, and Culture Through Dance.
As a performer, he has worked with several notable choreographers, directors, companies, and projects, most recently as one of 6 principal performers in Nameless forest created by Dean Moss in collaboration with an international cast of visual, musical and technical artist. DJ continues to publish occasionally and has contributed as a writer for Village Voice and other publications including the blogs Culturebot and City Of Glass.
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Greg Miller
Executive Director
Having worked 14 years in management for Fortune 500 companies (Lehman Brothers, EDS, Bosch, ANA, Revlon and Cablevision, Greg has been serving as an arts administrator to non-profits since 2003 when he co-produced the Fall Collection, a mixed media festival in the Lower East Side.
Drawing on his love of dance and cultural experience in living nine years abroad, Greg founded Dance Parade, Inc. in 2006. Greg supports and oversees the Collective by bringing his ”One Parade-Many Cultures” vision to it, encouraging as many artistic and vibrant forms of movement and community activist engagement as possible. The Collective nourishes a network of those who will cross generations and cultures to unite and celebrate under the umbrella of dance.
Motivated by the healing qualities of dance, he practices Salsa, Swing, Roller and Gabrielle Roth’s 5 Rhythms, a conscious movement discipline. He was recently the General Manager of Nimbus Dance Works, Jersey City’s preeminent dance company, currently consults for non-profits and serves on the Advisory Board of Neville Dance Theater. Movement of the People Collective represents his most audacious venture.
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- Published in Uncategorized
Team Spotlight: Meet Janelle, Parade Programming Lead!



- Published in 2018, 2019, Team Spotlight
2018 Bessie Award Winners Announced
CHEERING AUDIENCE OF OVER 800 RAISED A GLASS TO 2018 BESSIE WINNERS ANNOUNCED TONIGHT, OCTOBER 8, 2018 AT NYU SKIRBALL CENTER FOR THE PERFORMING ARTS
The night remained forever young at The New York Dance and Performance Awards, The Bessies, with live performances, videos, tearful and grinning thank you’s, hugs and cheers for this year’s award recipients, and a costume sashay thrown into the wild mix of celebration tonight, October 8, at NYU Skirball Center for the Performing Arts. Installation dance performances took place outside the theater, along with Simone Forti’s Huddle. Ayodele Casel and Shernita Anderson hosted the Awards. A pre-ceremony cocktail party at NYU’s Kimmel Center honored Deborah Sale and Ted Striggles with the 2018 Bessies Angel Award. Following the awards ceremony at NYU Skirball, the night of celebration continued with The Bessies After Party at the legendary Judson Memorial Church.
The evening at NYU Skirball began with New York Dance and Performance Awards Executive Director Lucy Sexton, Managing Director Heather Robles, and former Dance/NYC Director Lane Harwell welcoming the audience of over 800 dance community members. Kitty Lunn, Taylor Mac, Greg Miller, Jennifer Monson, Dean Moss, Dwana Smallwood, Dormeshia Sumbry-Edwards, Dr. Donald J. Rose and Eduardo Vilaro served as presenters. Opening the festive evening was an excerpt from Robert Battle’s “Ella” by the Alvin Ailey American Dance Theater, with additional performances by Pooh Kaye, and Mariana Valencia. A scrolling list of names in honor of those who passed away during the past year was projected and read by Sylvia Waters, who also spoke about Arthur Mitchell and Donald McKayle while Peter Born, Umechi Born, David Thomson and Okwui Okpokwasili chanted “A Song for Sam”, created by Okpokwasili in honor of Sam Miller. A short video of Paul Taylor was shown following the chant.
The 2018 Bessie Awarded artists are as follows: for Outstanding Performer, Courtney Cook for Sustained achievement with Urban Bush Women, Maria Bauman, and Marguerite Hemmings, Germaine Acogny in Mon élue noire (My Black Chosen One): Sacre #2 by Olivier Dubois at BAM Fisher, Elizabeth DeMent in 17C by Big Dance Theater at BAM Harvey, and Sara Mearns for Sustained Achievement in the work of New York City Ballet, Isadora Duncan, Jodi Melnick, Wang Ramirez and Matthew Bourne. For Outstanding Visual Design, Mimi Lien, Peiyi Wong, Tuçe Yasak, Meena Murugesan, and Richard Forté for Memoirs of a… Unicorn by Marjani Forté-Saunders presented by New York Live Arts at Collapsable Hole. For Outstanding Music Composition or Sound Design, Jeremy Toussaint-Baptiste for Sustained achievement in music composition with choreographers Jaamil Olowale Kosoko, Jonathan Gonzalez, André M. Zachery/Renegade Performance Group, and Will Rawls. For Outstanding Revival, 40th Anniversary Retrospective by Jane Comfort & Company at La MaMa. For Outstanding Production, Geoff Sobelle for HOME at BAM Harvey, David Thomson for he his own mythical beast at Performance Space New York; Marjani Forté-Saunders for Memoirs of a… Unicorn presented by New York Live Arts at Collapsable Hole, Nami Yamamoto for Headless Wolf at Roulette. Service to the Field of Dance to Marya Warshaw. Lifetime Achievement in Dance to Simone Forti.
Nominees and awardees alike in the categories of Outstanding Production, Outstanding Performer, Outstanding Revival, Outstanding Music Composition or Sound Design, Outstanding Visual Design, and Outstanding ‘Breakout’ Choreographer will receive a $500 gift made possible by the Doris Duke Charitable Foundation.
ABOUT THE BESSIES
The Bessies were established by David R. White in 1984 at Dance Theater workshop to recognize outstanding work in choreography, performance, music composition and visual design. Nominees are chosen by a Selection Committee comprised of artists, presenters, producers, and writers, which this year is comprised of Ronald Alexander, Elise Bernhardt, Diana Byer, Tymberly Canale, Alexis Convento, Leah Cox, Parijat Desai, Maura Donohue, Boo Froebel, Angela Fatou Gittens, Diane Grumet, Brinda Guha, Joseph Hall, Iréne Hultman, Celia Ipiotis, Koosil-ja, Matthew Lopez, Matthew Lyons, Lydia Mokdessi, Harold Norris, Craig Peterson, Doug Post, Rajika Puri, Susan Reiter, Ali Rosa Salas, Walter Rutledge, George Emílio Sanchez, Andrea Snyder, Carrie Stern, Risa Steinberg, Sally Sommer, Kay Takeda, Catherine Tharin, Muna Tseng, Eleanor K. Wallace, Martin Wechsler, Adrienne Westwood, and William Whitener.
Responsible for setting policy and providing ongoing oversight, the 2018 Bessies Steering Committee is comprised of Cora Cahan, Beverly D’Anne, Lane Harwell, Jeanne Linnes, Stanford Makishi, Nicky Paraiso, Carla Peterson, Paz Tanjuaquio, Laurie Uprichard, and Sylvia Waters.
CITATIONS FOR RECIPIENTS OF 2018 BESSIE AWARDS
2018 BESSIE JURIED AWARD
Presented in July 2018
Kyle Marshall
For exploring important ideas around race and sexuality in dances that embody rather than illustrate complicated issues. For drawing on a variety of movement styles to create accomplished, witty, and immensely engaging choreography.
OUTSTANDING ‘BREAKOUT’ CHOREOGRAPHER
Presented in July 2018
Mariana Valencia
For seamlessly blending ethnography, memoir, and observation of cross-cultural identities in choreography that engages from start to finish. For a unique vision that uses humor and sadness, reality and imagination, to push dance and performance into new territory.
2018 BESSIES ANGEL AWARD
Deborah Sale and Ted Striggles
For a lifelong commitment to supporting dance
For working to better the lives of dance artists on and off the stage
For warmly gathering and connecting the dance-making community across decades
OUTSTANDING PERFORMER
Courtney Cook
For bringing a powerhouse presence and a soulful strength to every performance
A riveting performer of searing vocal work and sensuous explosive movement, who brings her rich range of dance forms and unique theatrical power to the work of Urban Bush Women, Maria Bauman and Marguerite Hemmings.
Germaine Acogny
For her fierce, fearless embrace of the “sacrificial one” in a reimagined Rite of Spring created especially for her. No longer doomed, she performs a powerful solo celebrating her heritages in dance, and women, and black women dancing.
in Mon élue noire (My Black Chosen One): Sacre #2 by Olivier Dubois at BAM Fisher
Elizabeth Dement
For her cool, intelligent presence, exquisite dancing, and ability to move seamlessly between spoken text and virtuosic dance. For a brilliantly nuanced performance, comic and serious and continuously captivating as a 17th century woman and the narrator of the piece.
in 17C by Big Dance Theater
BAM Harvey
Sara Mearns
Sustained Achievement in the work of New York City Ballet, Isadora Duncan, Jodi Melnick, Wang Ramirez and Matthew Bourne
For her work as a mesmerizing ballet dancer and insatiable dance explorer, known for consummate musicality, imagination, and theatricality. For an extraordinary season in which she boldly immersed herself in work by masters of hip hop, classic modern, experimental post modern, and theater ballet.
OUTSTANDING PRODUCTION
David Thomson for he his own mythical beast
Performance Space New York
For demolishing the idea of a ‘neutral’ body in a revelatory excavation of his own mythological identity as a dancer, performer, artist, man, person.
For the team creation of an inexhaustible, ecstatic, sweaty swirl of voice and movement addressing race, gender, and the many selves contained within a body.
Geoff Sobelle for HOME
BAM Harvey
For exploring and exploding the relationship between house and home.
For collaborating with a brilliant team using dance, illusion, live music, scenic engineering and audience interaction to create a moving, poignant and zany theatrical work.
Nami Yamamoto for Headless Wolf
Roulette
For an entertaining and profound journey through the range of human experience.
For interweaving five distinctive performers, a puppet, and yards of paper into a total work of theater, a contemplation of birth and death and all in between.
Marjani Forté-Saunders for Memoirs of a . . . Unicorn
Presented by New York Live Arts at Collapsable Hole
For an installation and performance that digs underground to mine memory and mythology
For conjuring family, friends, and ancestors as she navigates a magical landscape, weaving intersecting tales into a collective memoir.
OUTSTANDING REVIVAL
40th Anniversary Retrospective
by Jane Comfort & Company
La MaMa
For a program highlighting four decades of illuminating work delving into politics, family, friendship, and pure dancing.
For a pivotal exploration of language, music and movement in pieces addressing social issues in ways that continue to have impact in the current moment.
OUTSTANDING SOUND DESIGN OR MUSIC COMPOSITION
Jeremy Toussaint-Baptiste
For mobilizing the technologies of the age to conjure new worlds.
For bringing forth hidden languages and primal presences via layered soundscapes in his own work and in collaborations with Jaamil Olowale Kosoko, André M. Zachery/Renegade Performance Group, Jonathan Gonzalez, and Will Rawls.
OUTSTANDING VISUAL DESIGN
Mimi Lien (set), Meena Murugesan (media), Peiyi Wong (installation), Tuçe Yasak (lighting), and Richard Forté (set construction)
Memoirs of a . . . Unicorn by Marjani Forté-Saunders
Presented by New York Live Arts at Collapsable Hole
For creating a mythical, multi-sensory and immersive design in the industrial basement space of Collapsable Hole.
For beautifully integrating all the visual elements in a way that heightened the emotional impact of the choreographer’s journey through time and memory.
LIFETIME ACHIEVEMENT IN DANCE
Simone Forti
For her revolutionary, fearless, and widely influential approach to movement, pushing the boundaries of what dance could be—–in her dance constructions and improvised work.
For years of investigation into the human body in motion, finding poetry in gravitational forces, the movement of animals, and the natural world.
SERVICE TO THE FIELD OF DANCE
Marya Warshaw
For her visionary work at the Brooklyn Arts Exchange creating a space for choreographers of all identities and backgrounds, and for students of all ages and incomes.
For finding new and comprehensive ways to support the long process of creation through pioneering residencies and by fostering of a true home for dance artists and innovators.
Recent News
2018 NY Dance and Performance Award Recipients
2018 Bessies Angel Party
2018 Bessies Cocktail Party and Press Conference
The Bessie Podcast is launched!
RECIPIENTS OF THE 2017 NY DANCE AND PERFORMANCE AWARDS
May 19th Parade Day Press Release

PRESS RELEASE
Contact: Rebecca Myles
rebecca@danceparade.org, 917-326-0802
JOIN THE FESTIVE FUN OF 12TH ANNUAL DANCE PARADE AND DANCEFEST ON SATURDAY, MAY 19 WHEN 10,000 DANCERS PARADE IN SNEAKERS, CLOGS, TAP SHOES AND BALLET SLIPPERS BEATING THEIR RHYTHMIC WAY DOWN BROADWAY
New York, New York: Have a blast at the 12th Annual Dance Parade, Saturday May 19, a joyous celebration of dance with approximately 10,000 paraders – students and professionals, young and old, with color, costumes, music, and 80 different styles of dance.
“New York rises on the foundation of its diversity and we are proud of our incredible performing arts landscape that incorporates the customs of people from the world,” wrote New York City Mayor Bill de Blasio, in a proclamation declaring Saturday “New York Dance Parade Day.”
“Today, our city’s remarkable multiculturalism will be on full display …which brings together professional artists and dance enthusiasts of all ages and backgrounds for a vibrant celebration of the universal art form.”
A grandstand at Astor Place gives great viewing for all or part of the Parade, which starts at 1:00pm on Broadway & 21st Street, dances down Broadway, through Union Square and University Place, across 8th Street/Saint Marks, and settles at approximately 3:00pm in Tompkins Square Park, where four stages are set up for free performances by many of the companies, as well as social dancing and free lessons in various styles of dance.
Leading out the parade Tina Thompson, channeling Josephine Baker, and her Skin Dance Company, followed by Fusha Dance Company (African Dance). Among this year’s highlights are American Tap Dance Foundation, Paul Taylor Teen Ensemble, Arthur Murray Dance Studios (Ballroom) Eye Catching Circus (Taiwanese Acrobatic), Rhythm Locura (same sex Salsa/Latin) FogoAzul – Brazilian Drum and Dance, a dozen Chinese Dance groups, dancers doing belly dancing, jazz, hip hop, tango, leg-kicking cheerleaders and majorette groups among them Brooklyn Gatorettes and the Golden Dancerettes, and folk dancing from Niall OLeary School of Dance (Irish), Los Andulleros (Dominican Santiago) Shot of Scotch, (Scottish) Kaisokah Moko Jumbies of Dance (Caribbean carnival) and Slavic Folk Dance, Indian Bhangra, and hypnotic roller bladers Disco Energy in the Middle.
It’s a joyous celebration of dance in all its forms by dancers of all styles and ages who love dance! Audiences, too, find their dancing feet and move to the rhythms. In fact, the Dance Parade police will be on hand again to give out summonses to folks for ‘non-moving violations.”
This year’s Grand Marshals are Camille A. Brown, one of today’s most sought-after dancer/choreographers; recipient of a Bessie award, a four-time Princess Grace Award, a Guggenheim Fellowship, and more; Mickela Mallozzi, a four-time Emmy winner for her delightful public TV show “Bare Feet” in which she celebrates the diversity of dance around the world; DJ Doc Martin, who has spun records for appreciative admirers for over three decades and host of his popular show on WBLS 107.5 FM; City Council Member Rafael Espinal, who recently made dance history by passing legislation to repeal the antiquated 1926 cabaret law, which required a license to dance.

- Published in Uncategorized
Team Spotlight: Meet Adele, Parade Production Lead!
Let’s start at the very begin shall we?
How did you first find out about Dance Parade?
I first heard of dance parade through my friend Erik. He introduced me to the parade and got me involved the first year as a NYDP officer (New York Dance Police). It was the perfect first experience to ticket people for NOT dancing!
What is your current role in Dance Parade, Inc?
Currently I lead a production team that plans and produces the parade. I’m here to help make sure the day of the parade runs smoothly.
What is your favorite style of dance to watch? to participate in?
I love watching expressive, modern dance; I love when people can tell a story through dance. I also really enjoy watching couple dance whether it be salsa, samba, swing or modern. The connection of two dancers performing is so captivating.
I participate in non-traditional forms of free form dance… including 5Rhythms. Anywhere there is good music you will find me dancing… whether there is a dance floor or not. I’ve never performed any type of dance routine for a formal audience.
What is your dance background?
After studying business management in college and then working in an office job I knew there was something more to a job. So I quit my business job and went to photo school. After learning all the techniques and the business of photography I moved to NYC to start my career. Along the way I found my passion for photographing babies and children and now specialize in children’s fashion photography as well as photographing newborns and family portraiture. I am available for personal and commercial shoots: adele@adelegodfrey.com. You can check out some of my work at: www.adelegodfrey.com.
What is your interest in dance?
I’ve taken only a handful of formal dance classes, but I grew up belly dancing and salsa dancing within my community. Now I am a regular at 5 rhythms and continue to create uplifting dance energy where ever dancing is appropriate.
If you could share the stage with anyone in history famous or not, living or deceased, a trained dancer or not, performing a routine choreographed by yourself…who would it be?
Shakira! She’s an amazing dancer and she can rock the hips the way a Lebanese (even half) woman should. She not only dances for her audience and her songs, but I’ve seen some beautiful serene dance sequences she’s be a part of and it’s magic. You can’t help but be mesmerized by her moves.
What does this year’s theme “The Cabaret of Life” mean to you?
Don’t let life hold you down, but find the freedom to dance… even if it’s just in your room by yourself. Dancing releases so much stress and anxiety, it allows us to embrace our connection with our body and feel free, even if just for a few moments. During dance we can put our troubles and pessimistic thoughts aside while our bodies move to find the release and freedom from those damaging thoughts. Many people are afraid to let themselves go to feel the freedom dance allows. This year’s theme challenges those who may not feel free to let that go and let themselves dance to feel the freedom. It promotes the idea of living free and connecting that with dance! Dance more is my resolution for the new year. I always feel great after a good dance session.
What dance group or dance style are you most looking forward to seeing this coming year in the parade?
I’m looking forward to seeing the performances of the underprivileged kids that dance parade brings classes to. From what I understand there are some kids who are taught a routine that will be showcased in the parade. I thing this is an amazing thing Dance Parade participates in that is a benefits for kids not just on this day, but ongoing. There is also this swing dancing group that I saw last year who were just amazing! They are enjoyable to watch and I look forward to seeing what they are bringing this year.
If you could pick another country to hold a Dance Parade and Festival….which would it be?
Good question! Another country… how about Southern California… ok that’s not a different country, but sometimes it feels like it is. Paris would be my other country pick. Why? It’s pretty and will make pretty backgrounds for photos as people are parading around town. 🙂
Supporting a non profit organization can at times be daunting with limited personnel and limited funding….what is it that keeps you coming back for more and more?
It is frustrating with the limited amount of time I have that I can spend with volunteering. I’m back for the first time and not sure exactly how much is going to be expected from me. I’ll let you know next year why I will return, if I do return…haha 😉
The reason I joined this year is because I feel moved by the awesomeness of the parade and festival (and I’m not the kind of person who usually enjoys parades.) But this parade has such an uplifting energy throughout…it’s not just people solemnly walking or marching, but its an environment where people are smiling, laughing, stylishly moving and connecting all through the love of dance. The love of dance brings together people of all ages, backgrounds, races and colors and it’s just beautiful to witness and experience. This is why I am involved.
Describe a special memory you have from Dance Parade’s past?
Little moments happened last year when I was a dance police (which is the most awesome addition to the parade by the way)…I saw this older gentleman just sitting and watching the parade looking so bored and disinterested, not smiling or anything… I went up to him and said sternly, “You are in violation for not smiling and not dancing!” Right away he perked up smiled and started moving his body, saying “No, no I’m dancing… see?” I gave him a citation anyway but when I left him he was still smiling and continued his dance. Opening the audience to interact with the parade and dance themselves is something special I took with me from Dance Parade.
A little moment from the dance festival that still sits with me: In the middle of a crowd of people dancing and being entertained by a DJ on a main stage I pauses to look around me, I saw people roughly my age shaking it, but I also saw people in their late stages of life getting down, I saw children smiling and moving like they were going to lose their legs, a man grooving with his walker, a younger woman smiling and rocking with a broken foot…the diversity of people around me enjoying the same music and loving energy was a beautiful scene always to be remembered.
What pitch would you use to attract a new volunteer onto the Dance Parade team?
Do you want to be a part of a movement that reaches the biggest diversity of people? Dance parade is a movement that brings people together through the love of dance. An organization that opens the doors for dancers and groups to showcase their talents and hard work and creates a day of dance to share on the streets of Manhattan. In addition to the actual parade and festival, Dance Parade is active within the community in providing dance classes for people who may not be able to afford to take classes with the goal of performing in dance parade. By volunteering you help sustain a community of dancers and give them opportunities they may not have otherwise.
Thank you Adele!

- Published in 2018, 2019, Team Spotlight
2018 Photo Contest Announced!
Each year Dance Parade attracts hundreds of photographers of all ilks to capture the magic found when 100 unique styles of dance and cultures are all presented in the same place. They love the energy, movement and color found among ancient cultures and highly ambitious artists. This year we will add a new category, “DanceFest” which follows the parade in Tompkins Square Park. For each category, Dance Parade and DanceFest, we will award 3 winners with a pair of tickets to the hit Broadway musical “The Prom”, t-shrits and other commemorative items.
Entries must be digital in color or can be black and white. If participating in the contest we would like to use your photos for our promotional purposes to present the parade as an art parade and also a participatory experience. Therefore we will need to request you to sign off on using your photos and will credit the photographer’s whenever appropriate.
Entry Procedures:
1. Choose your best shots – Select among your photos to upload up to 5 photos for Dance Parade and up to 5 photos for DanceFest
2. Identify – Name your Photos with your legal name “JaneDoe1.jpg”, “JaneDoe2.jpg” and if possible include the artist name “JaneDoe1_Barishnikov.jpg”
3. Upload – Photos should be high resolution 300dpi between 1MB and 2MB. It would be helpful to us as well if you could also upload low resolution photos so that we can post the best entries into our website’s photo gallery. Upload a maximum of 10 photos to our dropbox link here. (you don’t need a Dropbox account for this upload)
Deadline for Entry & Uploads – May 30th, 2018
4. Jury Review – A jury of at least 5 members from the Dance Parade Steering Committee will review each photo and assign a number from 1 (least) to 10 (best). First stage highly scored photos may appear on our Facebook @danceparadenyc, Twitter @danceparadenyc or Instagram @danceparadenyc pages for social media feedback. The top 5 Photographers with the highest score will then be selected in a semi-finalist review period and the committee will re-evaluate and re-score. This selection process will last one week.
5. Announcement – The winner will be announced June 4th.
Thank you and good luck!
- Published in 2018, Photo Contest
Volunteer Spotlight: Dave Leventhal, Floater and Father to Be!
Dave, thanks for taking the time to speak with us and congratulations on expecting your first child. When is the baby due?
Haha, that’s really funny. How did you first find out about Dance Parade?
I met you shortly after the first Dance Parade in 2007. We would often see each other at Burning Man related events in New York, and doing 5Rhythms dynamic movement practice. Dance Parade was certainly on the radar of many of the people in those communities. Dance Parade sounded to me like a great example example of participatory culture — a concept of which I am passionate about. I went in 2008 and was hooked!
What is your current role in Dance Parade, Inc?
I am proud to say that I serve on Dance Parade’s Board of Directors, and have since 2009.
What have you been doing when your not parading around with this non-profit?
I practiced law for many years litigating class action suits and most recently got to put that behind me to realize my dream to open LIFT / NEXT LEVEL FLOATS floatation therapy center in Carroll Gardens, Brooklyn. We will soon open our second location in Huntington, Long Island.
Tell us more about LIFT. What are the benefits of floating and how did you get an interest in it?
When I was an undergrad at the University of Michigan, I discovered the sensory deprivation tank–It was very meditative and I’ll never forget how peaceful it was. In 2015 I opened LIFT, the first dedicated floatation therapy center to open in NYC in decades. Sensory deprivation/floatation therapy, which involves floating in skin temperature supersalinated water, in a lightproof and soundproof environment, has been around for over 40 years. There have been numerous studies documenting a wide range of benefits of floatation. On a daily basis, my guests share with me how floating helps them physically, intellectually, emotionally, and spiritually.
What is your favorite style of dance to watch? to participate in?
I enjoy watching just about any style of dance, I can’t say that I am a connoisseur. In 2015 we had Mary Verdi-Fletcher, a pioneer in physically integrated dance, as a Grand Marshall, and through her I was introduced to wheelchair dancing. That was really a revelation for me, I was very moved. As far as dancing myself, I have two left feet. Doing 5Rhythms dance allows me express myself through movement, without being self-conscious about it. I can do a passable Hora.
What is your dance background or interest in dance?
I have no formal background in dance. I am fascinated by how dance is integral to community.
If you could share the stage with anyone in history famous or not, living or deceased, a trained dancer or not, performing a routine choreographed by yourself…who would it be?
Groucho Marx. There would need to be some comic relief if I was on stage.
What does this year’s theme “The Cabaret of Life ” mean to you?
On the surface, the theme is celebration that after nearly a century, New York City’s shameful Cabaret Law is finally set to be repealed. The law was initially enacted to keep blacks and whites separated during the Jazz era, and has since then been selectively enforced against people of color. The law also has suppressed the development of a nightlife scene that befits a city of New York’s stature.
On a more elemental level, “The Cabaret of Life” is a recognition that the arts enrich us on a daily basis, and that we are both audience and performer.
If you could pick a Grand Marshal for this year’s parade….who would it be?
Would it be too obvious to say Liza Minelli?
If you could pick another country to hold a Dance Parade and Festival….which would it be?
Norway. The natural scenery is spectacularly beautiful, the cities have striking architecture, the arts are supported and championed by the government, and everything seems to run smoothly and efficiently. The Norwegians and the indigenous Sami have rich cultural traditions to celebrate, and in recent years, Norway has drastically increased immigration, giving the country new cultures to celebrate.
Volunteering at a non profit organization can at times be daunting and frustrating with limited personnel and limited funding….what is it that keeps you coming back for more and more?
For me, the beauty of Dance Parade is how it harmoniously brings together people from so many diverse backgrounds and cultures. It highlights that our differences are worth celebrating. Especially in these divisive times, this core message of Dance Parade inspires me.
Describe a special memory you have from Dance Parades past?
While I always love to take in the spectacle that is Dance Parade, I have special memories of the times when I have danced in the parade. While, I have no aptitude for dancing, I do enjoy costuming, and have had great times dressing up for the parade. I strongly encourage everyone to dance in the parade at least once (and also to volunteer)!
What pitch would you use to attract a new volunteer onto the Dance Parade team?
Come on in, the water’s fine!
- Published in Volunteer Spotlight
Volunteer Spotlight: Mark Schmidt, Curator with an Umph!

Mark, we’re all looking forward to seeing the cultural dances you curated for Winter’s Eve next Monday–Tell us more!
For the past 6 years Dance Parade has presented all types of dance there, everything from hoopers, to stilt walkers and most notably, they like our folkloric dance groups. On Monday November 27th, we’re presenting four very unique ones. (see lineup in above Winter’s Eve article).
How did you first find out about Dance Parade?
What is your current role in Dance Parade, Inc?
What have you been doing when your not parading around with this non-profit?
What is your favorite style of dance to watch? to participate in?
What is your dance background or interest in dance?
If you could share the stage with anyone in history famous or not, living or deceased, a trained dancer or not, performing a routine choreographed by yourself…who would it be?
What does this year’s theme “The Cabaret of Life” mean to you?
What dance group or dance style are you most looking forward to seeing this coming year in the parade?
If you could pick another country to hold a Dance Parade and Festival….which would it be?
Volunteering at a non profit organization can at times be daunting and frustrating with limited personnel and limited funding….what is it that keeps you coming back for more and more?
Describe a special memory you have from Dance Parades past?
- Published in Volunteer Spotlight








