The now thirteen annual reincarnations of the 9/11 Table of Silence Project, conceived and choreographed by Jacqulyn Buglisi and presented each year on the morning of September 11 across the
Call it a village; an almost careless yet embracing hospitality. I experienced its warmth the moment I entered through the old wooden red chapel door wreathed with a drone cloud
Moses Pendleton’s Momix, which he founded in 1980, while still creating as one of the cofounders of the cooperative ensemble Pilobolus, represents that rarest of species in American dance: a
