{"version":"1.0","provider_name":"Dance Parade \u7ebd\u7ea6\u821e\u8e48\u5609\u5e74\u534e \u00b7 \u5de1\u6e38\u53ca\u72c2\u6b22","provider_url":"https:\/\/danceparade.org\/zh","title":"Engaging the Audience: Kinetic Light and Dean Moss model approaches - Dance Parade","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"dGoyUFz8uO\"><a href=\"https:\/\/danceparade.org\/zh\/engaging-the-audience-kinetic-light-and-dean-moss\/\">Engaging the Audience: Kinetic Light and Dean Moss model approaches<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/danceparade.org\/zh\/engaging-the-audience-kinetic-light-and-dean-moss\/embed\/#?secret=dGoyUFz8uO\" width=\"600\" height=\"338\" title=\"\u300a Engaging the Audience: Kinetic Light and Dean Moss model approaches \u300b\u2014Dance Parade\" data-secret=\"dGoyUFz8uO\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/danceparade.org\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>","thumbnail_url":"https:\/\/danceparade.org\/wp-content\/uploads\/2022\/11\/Screenshot-2023-02-27-at-10.32.37-PM.png","thumbnail_width":1238,"thumbnail_height":828,"description":"Two productions a week apart, each chosen as prospective outings for Dancing Matters (DM), illustrated ways in which some dance and movement artists have been developing their own approaches to the public they have been welcoming back as dancing continues to crawl out of the live performance drought that descended under the blanket of the pandemic."}