Electro dance or Tecktonik is a frenetic and quirky form of street dance which is typically performed to electro house music.  It is based on, although is not limited to, a blend of different dance styles, such as Industrial, Disco, Vogue, Waacking, Hip-Hop and Freehand Glowsticking.

It started in the 2000s and originated from the southern suburbs of Paris, France, mainly from the Metropolis nightclubs and has grown around the world. Fast-paced techno and electro house music imported from Northern Europe is the usual choice for Tecktonik dancing.

View  the video “Electro Street Paris 2010″  Film by IAKO

Electro dance is predominantly about arm movement, taking basic elements from glowsticking such as the concept of Freehand, the Figure 8 and the idea of the Leading Hand (one hand geometrically following the other), while staying very much in a disco tastes, by amplifying points and poses as a main aspect to this style.

Down below Electro dancers tend to use their hips, knees and feet to gently shuffle across the floor in beat to the music, quite often in a random and jerky fashion.

They also tend to include elements of toprock, B-boy-like footwork, lending to the hip hop-like influences in a lot of the electro house music.

The video “A Little Message” features Electro dancers Celzidor, Jaker and Vyrus from Romania.  By Celzidor Productions.

Cyril Blanc

The creators of the Tecktonik brand (most notably, Cyril Blanc, the artistic director of Metropolis) sell official products, such as clothes, Matts CDs, and energy drinks.  In 2002, Cyril Blanc and Alexandre Barouzdin organize “Tecktonik Killer” parties under their project called “Tecktonik Events” whose purpose was to promote in France two styles of music who originated in Belgium and The Netherlands: hardstyle and jumpstyle. This project foresaw, in the Metropolis nightclub, the creation of three types of parties where DJs from the hardstyle genre would meet: Blackout evenings, Electro Rocker evenings and Tecktonik Killer evenings.  Cyril explained that the name Tecktonik is a pun on the theory of tectonic plates.

Along with Tecktonik Killer parties, Cyril and Alexandre created, with the help of designers and sales staff, symbols that would surround the phenomenon : neon colors, mittens, tight clothing, etc. Given the success of these evenings, Cyril Blanc files the patents of “Tecktonik” and “TCK” marks at the National Industrial Property Institute (INPI), and internationally in 2007 to prevent other clubs to promote their parties using their trademark.  Clubs must obtain permission from Cyril Blanc and Alexandre Barouzdin to use the term “Tecktonik” or “TCK”.  Many products derived from these evenings are then created including compilations, a clothing brand, energy drinks, etc.  Two other clubs in Paris then took over the Metropolis club: the Mix Club and the Red Light.

Tecktonik has enjoyed increasing success and has spread to France through gatherings in the street and videos available on the Internet.  During 2007, the media became more and more interested in the phenomenon, further contributing to its popularity.

The dance is known to the general public by appearing in videos, including Alive by Mondotek, A cause des Garçons of Yelle, Sucker of Dim Chris or artists such as Lorie.  In September 2007, the Techno Parade has helped to establish the increasing visibility of Tecktonik.

In November 2007, TF1 became the official international agency for Tecktonik, with the aim of promote the brand outside of France.

Electro dance has seen radical change recently; the moves that once defined “tecktonik” are almost gone, changed due to innovators such as Vertifight (a brand that promotes Electro Dance events all around the world).  Vertifight is a global movement to support this dance style and connect communities of dancers.  Dancers are welcome to join their site, participate in discussions on their forum, and discover local Electro dance events and groups.

With the global popularity of using video to promote dance, various Electro dance videos of artists from around the world can be found on YouTube and other video sharing platforms.

This Videodance features the Electro Dancers Yarus and Looney Boy from Moscow, Russia.  Created by YAK Films.  


View more Dance Films on Video Dance TV

Genre Buzz: Dance Parade’s Dance Education Series

Genre Buzz Source: Excerpts from Wikipedia

More about Dance Genre Buzz:

Each month, a new dance style is celebrated. View videos and learn about the heritage and history of different dance styles. Discover innovators of the dance, trends, variations, and current events for each dance genre featured. Watch artistic videodances featuring dance styles, and learn more about Dance made for the Camera.

Participate in Dance Genre Buzz:

Help Dance Parade New York and Video Dance TV support the dance community. Share information on each dance style we feature, including dance classes, events, competitions, and other productions, such as film and video productions. Teachers, participants, and enthusiasts are welcome to share their network and experience with our audience to support dance education, online and on the dance floor!

By Dawn Paap

“…cultures from around the world come together to celebrate their passion – dance. “

Dance Parade, Inc. is a volunteer supported non-profit organization! It is the dedication, expertise and rhythm of these brave few that are solely responsible for the success of the event and all the background work that goes on all year long leading up to the parade and festival. Every month, we choose a different volunteer to spotlight.   We ask them a few questions to let you know who they are, where they’ve come from and where they see themselves in the future.

How did you first stumble upon Dance Parade?

want to join the Dance Parade team?   Email DJ@danceparade.org for details!

February Social at The Sapphire Lounge
Saturday, February 25th 8-10pm
249 Eldridge Street #1
(between Houston & Stanton Streets)
Come and catch a Sneak Peek of Dance Parade with performances throughout the evening. Meet and hang with the team behind one of New York City’s most culturally diverse dance infused events!

featuring music by special guest DJ to be announced!

performances by

- Jamie Marie Hannigan with vocalist Carol Ann Suddeath
– NYC Bhangra
– T.R.U.E. Dance Company
– more to be announced!

No Cover
Special DP Drink Specials throughout the night

Prospective volunteers are welcome!

More info coming soon!

Click to RSVP on Facebook

Become a fan of Dance Parade on Facebook!

Follow us on Twitter!

Every May in New York City, Dance Parade shakes up The Big Apple by providing an outlet for all forms of expression through dance to come together on one single day. The 5th Annual Dance Parade will take place on Saturday, May 21st. The Parade rocks down Broadway from 21st Street, takes a left on St. Mark’s Place and culminates in Tompkins Square Park with DanceFest. To learn more about Dance Parade please visit http://danceparade.org. Registration is FREE and so is the Parade and Festival!

Check out previous episodes in the player below.   If you’re interested in submitting a mix please email Chauncey@danceparade.org for submission guidelines!   We are looking for all genres of dance to showcase this year from house to techno to bhangra to salsa and everything in between.

Chauncey here…Social Media guru at Dance Parade beckoning you make plans to attend this event!  

This is a film you do NOT want to miss!   We attended a screening of Girl Walk/All Day last year in Brooklyn and were so moved by the experience we have become a complete disciple to ensure the film’s success and its audience as widespread as possible.  It is such a modern day masterpiece of cinema where music, dance, cinematography and creativity are slammed together to create a slice of media heaven!   The entire film is one super long form video set to a soundtrack by DJ Girl Talk,  a blend of pretty much every pop song remixed into a huge aural onslaught to match the visuals.  Another factor involved in our admiration is that Dance Parade  has almost ten minutes of screen time!   Jacob Krupnick, the director,  contacted Dance Parade shortly before the parade last year and asked if he could film some of his film during the parade down Broadway in May.  Dance Parade said yes and the scenes are out of this world fantastic!   This Sunday,  there is not only a screening of the film in St. Paul’s Chapel, another location where scenes were filmed, but also a dance class by one of the stars, John Doyle aka “The Creep”.

Girl Walk // All Day at St. Paul’s Chapel: Presented by Trinity Wall Street
Sunday, January 29th
At the corner of Broadway + Fulton, New York, NY

7:00 p.m. Dance class with John Doyle, aka “The Creep”
If planning to attend the dance class, please arrive by 6:45 p.m. Wear loose clothing + bring your own water.

8:00 p.m. Film screening

Dancing in the church to follow!

FREE + Open to the public // ALL AGES
Complimentary drinks + snacks

RSVP for the DANCE CLASS  + SCREENING
RSVP for the SCREENING ONLY

Here’s a taste of the film!

Follow @girlwalkallday on Twitter

Girl Walk // All Day from jacob krupnick on Vimeo.

http://girlwalkallday.com

Demand a screening of the film in your area here: http://bit.ly/gV8vFf

All music from the album “All Day” by Girl Talk

See Anne’s Bollywood Dance video

Dancers:

Anne Marsen

Dai Omiya

John Doyle

Camera and Direction:

Jacob Krupnick

With unlimited help from:

Youngna Park

From Girl Walk//All Day website:

Did you know? 

Trinity Church and its cemetery were featured in the film. St. Paul’s is the Episcopal Parish of Trinity Church, and the oldest public building in Manhattan in continuous use. This is an incredibly special screening for us at Girl Walk because of how much of our film was shot in Lower Manhattan, within the 10 block radius of this church. We’re also elated to share our project and dance in a venue that is emblematic of the kinds of public spaces that invite the vibrant interaction of community our film supports.

Dance Parade’s January Social!

@ Dance Manhattan

39 West 19th St 5Fl (bet 5/6 aves)

Join us as Dance Parade celebrates Dance Manhattan as a Float Sponsor in the Sixth Annual Parade!

All are welcomed and it’s FREE!

Join Dance Manhattan and the organizers of Dance Parade NYC for a once-a-month Open House. Get to know Dance Manhattan with a FREE introductory dance class @ 8pm featuring a half hour of Salsa and a half hour of Swing taught by Rodney Lopez, a FREE party starting @ 9:00, and FREE performance showcase @ 10:30…followed by a FREE Dance party till 12:30am!

The evening features a variety of music and dancing (ballroom, swing, salsa & tango) and a showcase of performances at 10:30.

Discounts are offered to new students who register for classes on Guest Night (some restrictions apply).

No pre-registration required…just come!

Click here to RSVP on Facebook!

“Before mankind talked to one another, they dance together. ” ~ L.A. Kilpatrick

Dance Parade, Inc. is a volunteer supported non-profit organization! It is the dedication, expertise and rhythm of these brave few that are solely responsible for the success of the event and all the background work that goes on all year long leading up to the parade and festival. Every month, we choose a different volunteer to spotlight.   We ask them a few questions to let you know who they are, where they’ve come from and where they see themselves in the future.

How did you first stumble upon Dance Parade? 

I was invited by DJ McDonald to the International Day of Dance Event at DNA

What is your current role in Dance Parade? 

DP Liaison Coordinator; My job is to organise a team of liaisons to serve the 2012 Parade participants and to recruit Groups and Grand Marshals

What is your favorite style of dance to watch? to participate in?

I love watching all forms of dance.  Since moving to NYC a year ago I’ve had the opportunity to attend many diverse performances and classes.  I love taking Limon classes at PeriDance, Ballet class with Ashley Tuttle, and Pilates with Blossom. The performances I enjoyed the most this past year were Maria Gillespie’s Oni Dance Co., Amanda Selwyn’s premiere of Five Minutes, & Paul Taylor’s Black Tuesday!

What is your dance background? 

Ballet/Modern/Contemporary/Improv.  I began studying ballet from Maryane Murphy at age seven.  She passed on her love of dance through Andalusia Ballet, and I consider myself blessed that our lives crossed paths!  While attending college, Prof. Popovich, an expert of Vaganova, cleaned my technique, and I found my calling in modern dance.  I had the privilege of training under Teri Weksler. Aside from teaching me Limon & Horton, Teri was a great mentor when I was faced with post grad decisions.  Before moving to NYC, I was a trainee at Mobile Ballet, Inc., Montgomery Ballet, & spent a Summer studying improve with Maria Gillespie and Kate Hutter in Los Angeles.

If you could share the stage with anyone in history famous or not, living or deceased, a trained dancer or not, performing a routine choreographed by yourself…who would it be? 

I really miss sharing the stage with Jon Caspian.  Jon was my partner in college.  After 1 year of partnering class once a week together, I wasn’t afraid to try any move.  The last time I danced with Jon was one of my proudest performances.  It was a duet in Intrigue by Teri Weksler. I hope that we will be able to perform together again someday!

What does the Dance Parade slogan “one parade, many cultures” mean to you?

I believe all mankind is connected through dance.  If you watch National Geographic, like I do, then you might even say all creatures are connected through dance.  Before mankind talked to one another, they dance together.  I think it is clever slogan because this single event, single day, brings joy to people of all walks of life.

What dance group are you most looking forward to seeing this year in the parade?  

Oh, how could I pick… The Giant Toad Car, or Aloft Circus’s gang dancer on bikes, or Manhattan Samba,  I don’t know. Dance Parade consists of so many amazing performers, choosing one is hard to do!

If you could pick a Grand Marshall for this year’s parade….who would it be?  

Bill T. Jones!!!

Part of volunteering has a lot to do with strong leadership skills and major teamwork skills….if you were to pick a volunteer of the month…who would you choose?  

I would pick DJ McDonald.  Not only is staffing critical for our organization to function, he is also a great support for other committees.  I am happy to have his assistance connecting with Grand Marshals.  I know that he helps other team member to accomplish their goals as well.

If you could pick another country to hold a Dance Parade and Festival….which would it be? 

The Netherlands because I’ve never been and always wanted to go!

Volunteering at a non profit organization can at times be daunting and frustrating with limited personnel and limited funding….what is it that keeps you coming back for more and more?  

At first the job was slow because I started leading the committee a month before registration opened.  Now, there are daunting times when I open my email and have so many groups contacting me.  Managing volunteer time is always difficult because work comes first, but my family has encouraged me to volunteer since I was young.  What helps me is remembering the more work the liaison team means DP 2012 will be bigger & better than before!

Describe your most special memory from Dance Parades past? 

Riding home after attending my first Dance Parade.  I was exhausted, looked a mess, and my express train was running local, but nothing could bring me down.  I was still floating in the dream like day I had of dancing.  It was like Tompkins Square Park floated away from the hectic city, away from the financially bleak earth, and all worldly things. The fellow passengers had finished boring earthly days, but I was coming home from dancing the day away!

What salesman pitch would you use to attract a new volunteer into the cult that is Dance Parade?  

I am happy to be apart of something that brings so much joy to people.  I am proud that dance parade works with educators to share the art form to another generation of movers & shakers.  Also, The people involved is a wonderful group from all walks of life that love the art of Dance.

Dance Genre Buzz – Salsa Dance

Salsa is a Latin dance form with origins from the Cuban Son (circa 1920s) and Afro-Cuban dance (specifically Afro-Cuban rumba).  It is generally associated with the salsa music style, although it may be danced under other types of Latin music.

Salsa is normally a partner dance, although there are forms such as a line dance form “Salsa suelta”, where the dancers dance individually and a round dance form “Rueda de Casino” where multiple couples exchange partners in a circle.  Salsa can be improvised or performed with a set routine.

Salsa is a popular social dance throughout Latin America as well as in North America, Europe, Australia, and some countries in Asia and the Middle East.

Origins Salsa dance movements originate from the Cuban Son dancing of the 1940s more specifically through the beat of Son Montuno with strong influences from the dance of Danzon, Mambo, Guaguanco and other Afro-Cuban folkloric dancing.

Today there are many various styles of salsa dancing because of geographical dispersion and cultural syncretism. The most well-known styles are Cali-style (from Colombia), Cuban-style (“Casino”), LA-style, New York-style, Puerto Rican-style.

Salsa is typically a partner dance, although there are recognized solo forms (Floor Shines/ Shines), line dancing (suelta), and Rueda de Casino, where groups of couples exchange partners in a circle.  Salsa can be improvised or performed with a set routine, choreography and freestyle.

View this video to see a sample of Freestyle Salsa dancing.

Minami & Flavio – Salsa Dance – Osaka, Japan – by Chibi Moku from Chibi Moku on Vimeo.

Styles Salsa’s roots are based on Afro-Cuban Rumba and Son dancing, and is open to improvisation and thus it is continuously evolving. New modern salsa styles are associated and named to the original geographic areas that developed them. There are often devotees of each of these styles outside of their home territory.

Characteristics that may identify a style include: timing, basic steps, foot patterns, body rolls and movements, turns and figures, attitude, dance influences and the way that partners hold each other. The point in a musical bar music where a slightly larger step is taken (the break step) and the direction the step moves can often be used to identify a style.

Incorporating other dance styling techniques into salsa dancing has become very common, for both men and women: shimmies, leg work, arm work, body movement, spins, body isolations, shoulder shimmies, rolls, even hand styling, acrobatics and lifts.

Latin American styles originate from Cuba and surrounding Caribbean islands and then expanding to Venezuela, Colombia, Nicaragua, Puerto Rico, the Dominican Republic, and the rest of the Hispanic countries; also heavily influence “Miami” style which is a fusion of Cuban style and North American version. The styles include “Casino”, Miami-Style, Cali-style and Venezuelan Style.

North American styles have different characteristics: Los Angeles style breaks on the first beat “On 1″ while New York style breaks on the second beat “On 2″. Both have different origins and evolutionary path, as the New York Salsa is heavily influenced by Jazz instruments in its early growth stage.

Colombian / Cali style

Salsa (Cali Style) Cali-Style Salsa, also known as Colombian Salsa, is based on geographical location of the Colombian City of Cali.

Cali is also known as the “Capital de la Salsa” (World’s Salsa Capital); due to salsa music being the main genre in parties, nightclubs and festivals in the 21st century.  The elements of Cali-Style Salsa were strongly influenced by dances done to Colombian rhythms such as Cumbia and Boogaloo.

The basic step of Colombian Salsa is the “Atras” or “Diagonal”; breaking backwards diagonally instead of moving forwards and backwards as seen in the New York and L.A. Style. Dancers do not shift their body weight greatly as seen in other styles. Instead, dancers keep their upper body still, poised and relaxed while the feet execute endless intricacies. The dancer breaks mostly On1 (sometimes On3), with short measures of “4″ instead of full “8″ counts.

A major difference of Cali Style and the other styles is the footwork which has quick rapid steps and skipping motions. They do not execute Cross-body Leads or the “Dile Que No” as seen in LA/New York-style and Cuban-style salsa, respectively. Their footwork is intricate and precise, helping several Colombian Style dancers win major world championships. Cali hosts many annual salsa events such as the World Salsa Cali Festival and Encuentro de Melomanos y Coleccionistas.

Cuban “Casino” style

Salsa dance (Cuban Style) Cuban-style salsa, also known as Casino, is popular in many places around the world, including in Europe, Latin America, North America, and even in some countries in the Middle East. Dancing Casino is an expression of popular social culture; Latin Americans consider casino as part of social and cultural activities centering around their popular music. The origins of the name Casino are derived from the Spanish term for the dance halls where a lot of social Salsa dancing was done in Cuba during the mid-20th century and onward.

Historically, Casino traces its origin as a partner dance from Cuban Son dancing, and its rhythmic body motions from Afro-Cuban Rumba heritage. Son is considered an older version and ancestor to Salsa. Son is danced on delay measure upbeat (contra-tiempo) following the 2-3 clave (Son Clave) whereas Casino is usually danced on the downbeat break of 1 or 3 (a-tiempo). Musically, the beats 1, 3, 5 and 7 are considered downbeats; whereas 2, 4, 6 and 8 are considered upbeats. Casino was popularized in the late 1950s as the Cuban Son received upbeat and quicker arrangements by musicians. Casino has a very independent development, free from external influences such as Puerto Rican and North American dances partly due to the effect of the Cuban Embargo.

Miami-style Casino

Developed by Cuban migrants to Florida and centered around Miami, this form of Cuban Salsa fused with American culture and LA Style.

Major differences of Miami-style Casino is that it is exclusive dance to downbeat (On1) and has elements of shines and showstyle added to it following repertoires of North American Styles.  Miami-style has many adherents, particularly Cuban-Americans and other Latinos based in South Florida.

Rueda de Casino

Rueda de Casino In the 1950s Salsa Rueda or more accurately Rueda de Casino was developed in Havana, Cuba.  Pairs of dancers form a circle (“Rueda” in Spanish means “Wheel”), with dance moves called out by one person. Many of the moves involve rapidly swapping partners.  “Rueda de Cuba” is original type of Rueda, originating from Cuba. It is not as formal as Rueda de Miami and consists of about 30 calls. It was codified in the 1970s.

“Rueda de Miami” originated in the 1980s from Miami, is a formal style with many rules based on a mix, and is a hybridization of Rueda de Cuba & Los Angeles-style Salsa and dance routines that reflect American culture (e.g. Coca-cola, Dedo, Adios) which is not found in the traditional Cuban-style Rueda.

Los Angeles style

Salsa (LA Style) L.A. style is danced on 1, in a slot, with a measure of easiness and adaptability to it. It is strongly influenced by the Mambo, Swing, Argentine Tango and Latin Ballroom dancing styles.

L.A. style places strong emphasis on sensuousness, theatricality, aerobics and musicality.

The lifts, stunts and aerial works of today’s salsa shows are derived mostly from L.A. Style forms with origins in Latin Ballroom and Ballet lifts.

The two essential elements of this dance are the forward–backward basic as described above and the cross-body lead. In this pattern, the leader steps forward on 1, steps to the right on 2-3 while turning 90 degrees counter-clockwise (facing to the left), leaving the slot open. The follower then steps straight forward on 5-6 and turns on 7-8, while the leader makes another 90 degrees counter-clockwise and slightly forward, coming back into the slot. After these 8 counts, the leader and follower have exchanged their positions.

Albert Torres, Laura Canellias and Joe Cassini are credited for the early development and growth of L.A. Style Salsa[citation needed]. Later, such dancers as Alex Da Silva, Edie Lewis, Joby Martinez, Josie Neglia, Liz Rojas, Johnny and Francisco Vazquez, and Janette Valenzuela are often credited with developing the L.A. style of Salsa Dancing as we know it today.

New York style

Salsa (New York Style) Like LA-style salsa, New York style is danced in a line. However, unlike LA style, it is danced on the second beat of the music (“on 2″), and the follower steps forward on the first measure of the music, not the leader.

Though he did not create New York style salsa, Eddie Torres is credited with popularizing it, and for having the follower step forward on the first beat.  New York style salsa emphasizes harmony with the percussive instruments in salsa music, such as the congas, timbales, and clave, since many or all of those instruments often mark the second beat in the music.

Salsa Dancing Locations Salsa dances are commonly held in night clubs, ballrooms, restaurants, and outside, especially if part of an outdoor festival. Salsa dancing is an international dance that can be found in most metropolitan cities in the world.

Salsa from Andrew Thomas Clifton on Vimeo.

Festivals are held annually, often called a Salsa Congress, in various host cities aimed to attract variety of salsa dancers from other cities and countries. The events bring dancers together to share their passion for the dance, build community, and to share moves and tips with each other. These events usually include salsa dance performers, live salsa music, workshops, open dancing, and contests.

Salsa Dance Short Film

Enjoy an artistic videodance featuring the Salsa dance style.

Twenty Rockers – Salsa from Studio35Presents on Vimeo.

Salsa from Lodocinema, LLC on Vimeo.

View more Dance Films on Video Dance TV

Genre Buzz: Dance Parade’s Dance Education Series

Genre Buzz Source: Excerpts from Wikipedia

More about Dance Genre Buzz:

Each month, a new dance style is celebrated. View videos and learn about the heritage and history of different dance styles. Discover innovators of the dance, trends, variations, and current events for each dance genre featured. Watch artistic videodances featuring dance styles, and learn more about Dance made for the Camera.

Participate in Dance Genre Buzz:

Help Dance Parade New York and Video Dance TV support the dance community. Share information on each dance style we feature, including dance classes, events, competitions, and other productions, such as film and video productions. Teachers, participants, and enthusiasts are welcome to share their network and experience with our audience to support dance education, online and on the dance floor!

By Dawn Paap

Attend Dance Parade’s Social 

January 27th at Dance Manhattan

Join us as Dance Parade celebrates Dance Manhattan as a Float Sponsor in the Sixth Annual Parade!  All are welcomed! Current Dance Manhattan students, feel free to bring your friends, family and colleagues along!

Come meet the organizers of Dance Parade and get to know Dance Manhattan with a FREE introductory dance class @ 8pm, a FREE party starting @ 9:00, and FREE performance showcase @ 10:30.  Followed by a FREE Dance party till 12:30am!

Click here to RSVP on Facebook with complete info about the event!

Salsa Party Hosted with Rodney Lopez – Friday January 20th, 2012

Join one of New York City’s long running Salsa Social at Dance Manhattan.  New and experienced dancers alike have enjoyed Dance Manhattan’s monthly Salsa events hosted by Rodney Lopez for more than 10 years.  So come dance On1 or On2 on Dance Manhattan’s large & beautiful dance floor.   Express physically the music you have come to love and make new salsa friends!

rsvp on Facebook

Dance Parade is very grateful to be selected along with the FIGMENT festival as a marquee beneficiary to the Gratitude Party this Saturday!  The dance event supports Participatory Culture in New York City, greater expression of the collective talent, vision, cooperation, and depth of this beautiful Community.

Find out more information by visiting NYC Gratitude

COSTUME IDEAS: Winter theme, Earth Angels, Fairies, Mythical
Creatures, Original Sinners, Gods & Goddesses, Illuminated, Silver &
White, Santa/Elf/Holiday-theme, or anything that expresses your own
unique vision of Heaven on Earth!

FEATURING:
‘LIGHT Arena’: Huge Main Room with World-Class Sound System, 3D video
projections, aerial performances, live drumming, and surprises
throughout the night! (Deco by Brandon Robinson)
‘SILENT DISCO’: Heated Outdoor Dance environment featuring your
favorite DJs going head to head all night long! (Deco by NephilNine Deco)
‘Disorient presents: DREAMLAND’: Plush upstairs chill/lounge area, with balconies overlooking the dance floor, featuring “Electric Sheep” projection art by visionary software artist, Spot Draves.
‘HALL of FLAME’: 3 hours of Fire Performances including an exclusive
flaming fashion show from 3rd Earth Fireproof (programming by Jewels)
‘ARTISANS BAZAAR’: Decommodify your holiday shopping experience with
handmade gifts and indy fashion created by Burners for Burners.
‘HEALERS SALON’: Take a break from the dancefloor with free Massage,
Reiki, Sound Healing!
‘BEYOND TEA HOUSE’: Craft brewed Kombucha on tap, Music/Performance
Stage, and dozens of artisan teas from around the world.
‘ARTIST ASHRAM’: Become fully immersed in creative expression &
explore your own artistry as well as collaborate with others.
‘SANTAs PLAYHOUSE’: Bringing a happy ending to your Santacon experience with free milk and cookies and a cozy space to nap.
Plus: Dozens of 2D, 3D, and Video Art installations to explore
throughout the venue including a brand new piece from ANIMUS.
and Much More, TBA!!!

CONFIRMED DJ LINEUP:
STADENCO (AlumaNAUGHTY/Verboten)
JOHN DILL (Robot Heart/Get Pickled)
NEIL KURLAND (PEX | Baltimore)
JAUX PAS (Camp Yoda)
Douggie Style (Disorient | Astoria)
Joro Boro (Etno-Tek)
Boris Burning Elf (Kostume Kult | Toad)
Friar Tuck (Disorient)
D_Juice (House of Yes)
Been Jammin’ (Brooklyn)
Mystika (Disorient | Philly)
DK (Kostume Kult | Toad)
Narkatta (betaparty | NYC)
EZ Almighty (Disorient/Space Pirates | Philly)

CONFIRMED LIVE MUSIC (More TBA):
10pm Maratoure (Danii Couture & Mara Stepe)
10:30pm Joshua Tennent and Sugarbeet – Dirty Jazz (Disorient | Brooklyn)
11:30pm Kara Trott (from Honey Circuit)
12pm Comandante Zero
1am Sourcery
2:15am Adam Collet (wwww.adamcollet.com)
3:15am Nova Dust (traditional and original medicine music)

Didge Project – AJ Block
Josh Hajicek (classical Sitar)

With special guests… JustinJustin TOCA & Alé Alé Drummers

Eye-popping Video-mapping and Projections by:
Silent Stream
VJ Max Nova
Dr Mojo
VJ Static (Disorient/Space Pirates | Philly)
VJ Aeres
VJ Fuzzy Bastard
VJ Gui”aum”etriX (Disorient)
VJ Krunch!

Click here to find out how you can volunteer for this momentous event!

Dance Parade Socials are the perfect times for prospective volunteers to meet the team that makes the parade and festival happen every May as well as produce all of the events and programs that happen all year long to further our mission.

About the Atrium

The David Rubenstein Atrium, a vibrant public visitors’ and ticketing facility on Broadway between 62nd and 63rd Streets is open daily with an array of services for local residents, the general public, and the thousands of people who visit Lincoln Center and the surrounding community every day.

The David Rubenstein Atrium, formerly known as the Harmony Atrium, is one of approximately 503 Privately Owned Public Spaces (POPS) in New York City created under a longstanding program that offers zoning incentives for buildings to provide accessible public spaces. The Harmony Atrium was originally conceived as a lively gathering place for local residents as well as visitors, and The David Rubenstein Atrium proudly fulfills this original vision.

The facility is named in honor of the philanthropist, financier, and Vice Chairman of Lincoln Center for the Performing Arts David Rubenstein, in recognition of his $10 million gift to the Bravo Campaign. The Tod Williams Billie Tsien design reflects a respect for the materials used throughout Lincoln Center and provides an open, accessible, and inviting environment. The Atrium is the first LEED certified, “green” building on the Lincoln Center campus.

The Atrium also features two vertical gardens; a floor-to-ceiling fountain; a media wall with performance information, which also serves as a canvas for video presentations; an art installation by Dutch textile artisan Claudy Jongstra; and 16 “occuli” lighting fixtures that bring natural light and state-of-the-art illumination into the Atrium’s interior.